I was often criticized for the way I played Chopin. The trips to Germany were like a gateway into the better world, where I could finally play for the public and the public even loved my Chopin interpretations! This gave me strength. The second complicated situation developed during my high school days. My piano teacher was in Germany, but as a student of a highly gifted class at the Polish music school, I had to take my exams playing for the polish commission.
1. Tell us about your background and journey.
When I was 4, I followed already the broadcasts of the Warsaw Chopin Competition on Polish television. I was so fascinated and touched by the music that I had tears in my eyes. I admired and loved the sound of the piano, so I really wanted to learn this instrument.
However, my parents initially disagreed with this idea, because we lived in Warsaw on the 10th floor of a big block of flats in a very small apartment. My mom wanted to convince me to learn the violin. There was a big competition to get a free place in a music school in Warsaw at that time. I passed successfully the difficult entrance exam for the keyboard department and from then on learned to play the piano.
In 1996 I met my future piano professor Peter Eicher during his master class in Warsaw. The lessons with him were so fascinating, that I decided to continue taking lessons with him at the Mannheim Music School in Germany. This represented a great financial challenge for my family. The frequent trips to Mannheim could only be financially managed by bus.
At first, my mother accompanied me. She always had a very big, open heart for music. Communism in Poland collapsed in 1989, but the mentality of the people who shaped the young people, such as parents, teachers, professors, was still very much influenced by this system. In Germany, the exchange between international artists has always been possible, which unfortunately was not the case in Poland.
I was often criticized for the way I played Chopin. The trips to Germany were like a gateway into the better world, where I could finally play for the public and the public even loved my Chopin interpretations! This gave me strength. The second complicated situation developed during my high school days. My piano teacher was in Germany, but as a student of a highly gifted class at the Polish music school, I had to take my exams playing for the polish commission.
5. How do you keep yourself inspired and motivated?
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